In my days in the bowels of Detroit the architectural scalpers came in waves, a clear pecking order. The professionals and their lackeys removed the most valuable artifacts first: the church windows. These went straight to New York, some to Europe. Then the hardware and iron work, remnants of Detroit in its ‘Paris of the Midwest’ days, walked away in the night.
Whatever could be sold in New York, Chicago and Los Angeles to architects, interior designers and yupsters who rarely asked for the source or any kind of documentation, gone. Eventually, long after the hired pickers had exhausted their hunger, in came the hungry….the bottom of the pecking order: the homeless, the drunks, the addicts pulling copper wiring, plumbing…anything not of bedrock that could be sold in bulk. The efficiencies of urban salvage are breathtaking in a city like Detroit.
Out in the arid fields and derelict farmsteads of the Midwest the racket is a familiar one for me. Different setting, same ugliness. They come at all times, day and night. chainsaw, rope, crowbars, pick up trucks. Crossing fallow fields, ignoring rusted No Trespassing signs, their bounty a treasure hundreds of years old. It’s the wood they want: Virgin Oak, Hemlock and Ash. Virgin Yellow Pine and Red Pine without a knot to be found…smooth as honey. Virgin timber post & beam barns by the thousands, standing like cathedrals in the fields.
The American icons upon which a nation was built.
Like any market, its supply and demand and throughout the 1990’s the demand for virgin timber was high. I once sat and listened to an out of work blacksmith brag of his triumphs: he and his crew could pull a barn, load it and drive it west where it would easily claim a bounty of $70,000 or more. So proud he was of his ingenuity, his little dent in the world of rural capitalism. He was gittin his. Most of it went West..into the desert manses where the aesthetic called for big, strong and timeless. Today, one can go online and buy salvaged virgin timber hand-hewn beams for cosmetic application in new or existing construction. I have heard of timber sellers hiring men with axe and adze who then spend hours hacking away at beams to make them look ‘authentic’. And the buyer knows no better. I do.
There is a keen difference between recycling and stealing. A fine line exists between the two in the food chain life of architectural salvage.
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I have just taken a call from a woman here in Michigan whose father has contracted with a timber-scalper-posing-as-contractor to ‘remove for free’ the family barn built three generations ago. She was to inherit the barn. Frantic, she was looking for any support I could give her in convincing her father to save the barn and stop piecing it out for nothing. The pillaging of these American icons continues across the heartland as I write…
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When a barn is unethically salvaged ie; dismantled/pulled down and pieced out as scrap what is lost is the artifact as a unified, functioning example of a structural form. In other words, a standing true post & beam frame in its entirety is the artifact, one that only exists as a sum of its parts. Dismantled, it exists no longer. Therein lies the difference between the architectural salvage of a church window and the salvage-for-materials of a barn. The church window will go on, albeit out of context. The barn? gone.
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I just received the phone call..a cease and desist order is being issued against the timber scalper posing as contractor who was in the process of dismantling the 3rd generation family barn mentioned earlier. Thanks to one phone call made by the daughter, I was able to give her enough information which she then relayed to her father, information which lead to a change of heart on his part toward the barn.
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While the recycling of materials is a responsible endeavor, it is critical that those salvaging timber from historic barns come to understand the ramifications of their actions, however noble they may feel them to be. The stripping and piecing of barns does not reside in the realm of environmental recycling, it resides in the realm of culturally unethical architectural salvage.



Still others are owned by elderly property owners with a strong emotional attachment to a family barn. Such owners would rather see the beloved structure go on to a new use verses watching it fall into ruin. A new owner must acquire the right to remove the barn from the current owner either through a sale at an agreed upon price or a removal agreement which normally requires that the new owner assume all responsibility for the removal of the entire structure leaving a clean site. The new owner then makes any repairs required. These should be done prior to dismantling the frame to insure a safe dismantle and clean raising. Following repairs, the new owner is then responsible for the actual dismantle, relocation and raising of the frame on the new site.
Repairing and relocating a true Post & beam barn is extremely dangerous and requires the services of a master barnwright. Also, while there are extraordinarily talented timber framers in the US, those trained in mortice and tenon joinery, there are very few professional barnwrights. A true barnwright is one with the skill and experience to walk into any historic post & beam barn of any ethnic building tradition, ‘read’ the barn and its repair needs accurately, make said repairs and be able to safely disassemble the barn. He or she must be sensitive and respectful to the historic fabric of the building and able to execute a dismantle in such a way as to insure a successful raising at a new location…and then raise it! My personal experience is that here in the US, such barnwrights of notable skill and experience number less than a bakers dozen. Yes, given the number of existing barns and the emerging market for conversions in the US, (the market is well established in Europe) this lack of skilled barnwrights is an issue… and an opportunity. Again, those skilled in the art of timber framing far out number those who can claim to be true barnwrights. Individuals seeking to relocate a barn are strongly advised to take time in identifying a true barnwright for a project. I recommend extensive interviews, referrals and recommendations. Do check references! Barnwrights are largely unregulated as they specialize in an ancient building method, their work generally confined to agricultural projects that rarely require a builders license, depending on local jurisdictions. Skilled barnwrights are master craftsmen, preservationists and artisans in the truest sense.